Matt Bettinelli-Olpin, Tyler Gillett, 和 查德·维莱拉 are all filmmakers under the collective label called 无线电沉默. Bettinelli-Olpin and Gillett are the primary directors under that moniker while Villella produces.

They have gained popularity over the past 13 years and their films have become known as having a certain Radio Silence “signature.” They are bloody, usually contain monsters, and have breakneck action sequences. Their recent film 阿比盖尔 exemplifies that signature and is perhaps their best film yet. They are currently working on a reboot of John Carpenter’s 从纽约逃脱。

We thought we would go through the list of projects they have directed and rank them from high to low. None of the movies and shorts on this list are bad, they all have their merits. These rankings from top to bottom are just ones we felt showcased their talents the best.

We didn’t include movies they produced but didn’t direct.

阿比盖尔

An update to the second film on this list, Abagail is the natural progression of Radio Silence’s love of lockdown horror. It follows in pretty much the same footsteps of 准备好与否, but manages to go one better — make it about vampires.

准备好与否

This film put Radio Silence on the map. While not as successful at the box office as some of their other films, 准备好与否 proved that the team could step outside their limited anthology space and create a fun, thrilling, and bloody adventure-length film.

呐喊（2022）

而 尖叫 will always be a polarizing franchise, this prequel, sequel, reboot — however you want to label it showed just how much Radio Silence knew the source material. It wasn’t lazy or cash-grabby, just a good time with legendary characters we love and new ones who grew on us.

Southbound (The Way Out)

Radio Silence tosses their found footage modus operandi for this anthology film. Responsible for the bookend stories, they create a terrifying world in their segment titled 方式 输出, which involves strange floating beings and some sort of time loop. It’s kind of the first time we see their work without a shaky cam. If we were to rank this entire film, it would remain at this position on the list.

V/H/S (10/31/98)

The film that started it all for Radio Silence. Or should we say the 段 that started it all. Even though this isn’t feature-length what they managed to do with the time they had was very good. Their chapter was titled 10/31/98, a found-footage short involving a group of friends who crash what they think is a staged exorcism only to learn not to assume things on Halloween night.

尖叫VI

Cranking up the action, moving to the big city and letting 鬼脸 use a shotgun, 尖叫VI turned the franchise on its head. Like their first one, this film played with canon and managed to win over a lot of fans in its direction, but alienated others for coloring too far outside the lines of Wes Craven’s beloved series. If any sequel was showing how the trope was going stale it was 尖叫VI, but it managed to squeeze some fresh blood out of this nearly three-decade mainstay.

恶魔的到期

Fairly underrated, this, Radio Silence’s first feature-length film, is a sampler of things they took from V/H/S. It was filmed in an omnipresent found footage style, showcasing a form of possession, and features clueless men. Since this was their first bonafide major studio job it’s a wonderful touchstone to see how far they have come with their storytelling.

你可能从未听说过 理查德·加德，但这可能会在本月之后发生变化。他的迷你剧 小驯鹿 刚打 Netflix公司 这是对虐待、成瘾和精神疾病的可怕深入探讨。更可怕的是，它是根据加德现实生活的艰辛改编的。

故事的核心是关于一个名叫 唐尼·邓恩 由加德饰演，他想成为一名单口喜剧演员，但由于缺乏安全感而怯场，所以进展并不顺利。

有一天，他在日常工作中遇到了一位名叫玛莎的女人，杰西卡·冈宁将她完美地演绎了出来，她立即被唐尼的善良和英俊的外表迷住了。没过多久，她就给他起了个绰号“小驯鹿”，并开始无情地跟踪他。但这只是唐尼问题的顶峰，他也有自己令人难以置信的令人不安的问题。

这部迷你剧应该有很多触发点，所以请注意，它不适合胆小的人。这里的恐怖并非来自血腥，而是来自身体和精神上的虐待，这超出了您可能见过的任何生理惊悚片。

“显然，这在情感上是非常真实的：我被严重跟踪和严重虐待，”加德对 员工，解释为什么他改变了故事的某些方面。 “但我们希望它存在于艺术领域，并保护它所基于的人们。”

由于积极的口碑，该系列获得了势头，而加德也已经习惯了这种恶名。

“这显然引起了共鸣，”他告诉 守护者。 “我确实相信它，但它起飞得太快了，我确实感到有点被风吹过。”

你可以流 小驯鹿 现在正在 Netflix 上观看。

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早在 80 年代末和 90 年代初，热门电影的续集并不像今天这样线性。这更像是“让我们在不同的地点重做这个情况。”记住 速度2或 National Lampoon的欧洲假期? 甚至 外国人尽管它很好，但很多情节都遵循了原著；人们被困在船上，一个机器人，一个处于危险中的小女孩而不是一只猫。因此，有史以来最受欢迎的超自然喜剧之一是有道理的， 甲虫汁 会遵循相同的模式。

1991 年，蒂姆·波顿 (Tim Burton) 有兴趣拍摄 1988 年原作的续集， 它被称为 Beetlejuice走向夏威夷:

“Deetz 家族搬到夏威夷开发度假村。施工开始了，人们很快发现酒店将坐落在一个古老墓地的顶部。 Beetlejuice 来拯救世界。”

伯顿喜欢这个剧本，但想要一些重写，所以他询问了当时炙手可热的编剧 丹尼尔·沃特斯 谁刚刚完成贡献 石楠。他放弃了这个机会，所以制片人 大卫格芬 把它提供给 部队比佛利山庄 隶 帕梅拉·诺里斯 无济于事。

最终，华纳兄弟问 凯文·史密斯 打拳 Beetlejuice走向夏威夷，他对这个想法嗤之以鼻， 说，“我们不是在第一部《Beetlejuice》中就已经说了所有我们需要说的话吗？我们必须去热带吗？”

九年后，续集被杀。该工作室表示，薇诺娜·瑞德现在对于这个角色来说太老了，需要重新选角。但伯顿从未放弃，他想为自己的角色设计很多方向，包括迪士尼的跨界。

“我们谈论了很多不同的事情，”导演 说 “娱乐周刊”。 “那是我们刚去的时候， 甲壳虫汁和鬼屋, Beetlejuice 走向西部， 任何。很多事情都出现了。”

快进到 2011 当另一个剧本被选为续集时。这次伯顿的编剧 阴影，塞思·格雷厄姆·史密斯被聘用，他想确保这个故事不是一个抢钱的翻拍或重启。四年后，在 2015剧本获得批准，莱德和基顿均表示将回归各自的角色。在 2017 该剧本被修改，然后最终被搁置 2019.

当续集剧本在好莱坞被抛来抛去的时候， 2016 一位名叫亚历克斯·穆里略（Alex Murillo）的艺术家 发布了看起来像一张的内容 查阅 甲虫汁 续集。尽管它们是捏造的并且与华纳兄弟没有任何关系，但人们认为它们是真实的。

也许这件艺术品的病毒式传播引发了人们的兴趣 甲虫汁 再次续集，终于在2022年确定了 甲虫汁2 编写的剧本获得了绿灯 周三 作家阿尔弗雷德·高夫和迈尔斯·米勒。该系列的明星 珍娜·奥尔特加（Jenna Ortega） 签约新电影并开始拍摄 2023。还证实 丹尼艾夫曼 会回来做分数。

伯顿和基顿一致认为新电影的标题是 甲虫汁，甲虫汁 不会依赖 CGI 或其他形式的技术。他们希望这部电影给人一种“手工制作”的感觉。该电影于 2023 年 XNUMX 月杀青。

续集已经过去了三十多年 甲虫汁。希望，既然他们说“阿罗哈” Beetlejuice走向夏威夷 有足够的时间和创造力来确保 甲虫汁，甲虫汁 不仅会向角色致敬，还会向原作的粉丝致敬。

甲虫汁，甲虫汁 将于6月XNUMX日上映。