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iHorror聚焦:“血量:恐怖故事” –“死亡日聚会”部分–访谈。

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血量:恐怖故事 –细分“死亡日聚会”。

导演–贾斯汀·西曼(Justin M. Seaman)

iHorror: Did you have a master plan of how you wanted everything to play out with this segment or did you just “go for it?”

Justin M. Seaman: It was a very much just “go for it” shoot. I had very little initial control over the segment as I didn’t write it, cast it or choose my locations which was something I had never dealt with before in my filmmaking endeavors. It was a challenging yet welcoming terrifying task. So my master plan was to go into this and try to do the best I could with what I was given and make it feel like my own. Luckily, the casting department did wonderful with their selections, so that made things much easier for me.

iH: Where did filming for your segment The Deathday Party 发生?

JMS: In Owensboro, KY. We shot this segment back in May 2016 in the same house as a few of the other segments (Fear for Sinners Here, Bloodbath, Killer House).

iH: How many days did you shoot for? And did you face any challenges while filming?

JMS: It was about 36 hours over 2 days. There are always challenges with indie filmmaking, but one of the biggest challenges for me was that I was the only director that didn’t live within a close driving distance. I live near Pittsburgh, PA which was almost an 8-hour trip. That meant if I didn’t complete my segment by the end of the weekend more than likely someone else would have to step in to finish it. Another challenge was being constrained to just the kitchen and basement because they were both very small areas that made it hard for a lot of people to hide off camera. Another issue was the house set directly beside a really busy road that created plenty of noise pollution throughout the shoot and a neighbor just had to weed whack the yard that day and when I say weed whack the yard I mean just that- he had no lawn mower, so he literally walked across the entire yard with a weed whacker to cut his grass…thanks, guy! On the plus side, the crew members were wonderful, and they made it an enjoyable experience.

iH: 死亡日聚会 contains a lot of dark humor, I was disgusted yet tickled at the same time, did the cast hit their lines and scenes right on the nail or was their challenges because of the material?

JMS: I am a mega fan of ‘Tales from the Crypt’ which sometimes featured this sort of content. So when I read this particular script, it reminded me of that, and I could relate to it. That’s kind of how the actors and I decided to go with the corny/odd married couple approach because it is a very bizarre tale. I had plenty of discussions before shooting some of the scenes with the cast were I told Jay Woolston and Cindy Maples (John and Almeda) to let loose and give me some variations to pick from for the edit. So YES, they did hit the nail on the head several times and several different ways, and I enjoyed editing the segment even more because of that. The entire cast was awesome, and they gave it their all. I hope to work with some of them again on other projects.

iH: Do you prefer directing an anthology or a full-length film?

JMS: I would say I prefer doing full length features more, just because there’s a longer format to just one story as opposed to several shorter ones. I also enjoy dramas with character development with story arcs and sometimes that’s not possible to do in 10-15 mins stories. But I enjoy both for various reasons.

iH: How did you initially become involved with this project?

JMS: From my gathering, P.J. Starks was trying to assemble a team of up and coming filmmakers for this project who had films that were current. He happened to see a post on Fangoria about my film 谷仓, and we got to talking about my potential involvement in the sequel. I was interested because I like to work on projects with people who have comradery towards other filmmakers and PJ seemed like that sort of guy too. Someone who knew the struggles of indie filmmaking and wouldn’t be quick to judge or criticize others work, so that drew me into VOB2. I was able to read over and select from three completed scripts 血浴喂食时间 和 死亡日聚会。 I chose ‘Deathday’ because it seemed the most challenging to take on in a two day period plus it had the most action, disturbing gore and also would require a cast of seasoned actors.

iH: What are your top five favorite horror films?

JWS: (1) 怪物小队(2) 恶魔之夜(3) The Return of the Living Dead, (4) 惊魂夜 (5) 在猛鬼街。

iH: What future projects are in the pipeline for you?

JWS: I am a producer/director alongside 谷仓的 Director of Photography Zane Hershberger on a new creature feature horror anthology called 隐窝.  I will also be directing a segment for Rocky Gray’s 10/31/16. Both should be out by the end of 2017.

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A24 《The Guest》与《You're Next》二人组打造新动作惊悚片《猛攻》

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在恐怖世界中重逢总是令人高兴。经过激烈的竞标战后, A24 已获得新动作惊悚片的版权 猛攻. 亚当·温加德 (哥斯拉vs.孔)将执导这部电影。他的长期创意合作伙伴将加入他的行列 西蒙·巴雷特 (你是下一个)作为编剧。

对于那些不知情的人, Wingard巴瑞特 在合作拍摄诸如 你是下一个 来宾。这两个创意都是恐怖皇室的名片。两人合作过的电影包括 V / H / S, 布莱尔女巫, ABC的死亡可怕的死亡方式.

独家 刊文 出的 截止时间 为我们提供了有关该主题的有限信息。虽然我们没有太多的事情可做 截止时间 确实提供以下信息。

A24

“情节细节目前处于保密状态,但这部电影继承了温加德和巴雷特的经典电影的风格,比如 来宾 和 你是下一个。 Lyrical Media 和 A24 将共同出资。 A24 将负责全球发行。主要拍摄将于 2024 年秋季开始。”

A24 将一起制作这部电影 亚伦赖德安德鲁·斯威特 莱德图片 公司, 亚历山大·布莱克 抒情媒体, Wingard杰里米·普拉特 脱离文明 西蒙·巴雷特.

这就是我们目前掌握的所有信息。请务必回来查看更多新闻和更新。

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导演路易斯·莱特里尔打造新科幻恐怖片《11817》

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路易斯·莱特里尔

根据一个 刊文截止时间, 路易斯·莱特里尔 (黑暗水晶:抵抗时代)即将用他的新科幻恐怖电影来改变现状 11817. 莱特里尔 将制作并导演这部新电影。 11817 是由光荣的人写的 马修·罗宾逊 (说谎的发明).

火箭科学 将把影片带到 戛纳电影节 寻找买家。虽然我们对这部电影的具体内容还不太了解, 截止时间 提供以下情节概要。

“这部电影讲述了一个四口之家被莫名其妙的力量无限期地困在自己的房子里的故事。随着现代奢侈品和生死攸关的必需品开始耗尽,一家人必须学会如何足智多谋地生存,并智胜那些让他们陷入困境的人——或者是什么……”

“导演让观众深入角色背后的项目一直是我的重点。无论多么复杂、有缺陷、多么英勇,当我们经历他们的旅程时,我们都会认同他们,”莱特里尔说。 “这就是让我兴奋的地方 11817完全原创的概念和家庭是我们故事的核心。这是电影观众不会忘记的体验。”

莱特里尔 过去因制作深受喜爱的系列作品而出名。他的投资组合包括宝石,例如 现在你看我, 不可思议的绿巨人, 泰坦之战转运。他目前正致力于创建决赛 速度与激情 电影。然而,看看莱特里尔可以用一些较暗的主题材料做些什么将会很有趣。

这就是我们目前为您提供的所有信息。与往常一样,请务必回来查看更多新闻和更新。

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书单

本月 Netflix(美国)新内容 [2024 年 XNUMX 月]

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詹妮弗·洛佩兹主演的 Netflix 地图集电影

又一个月意味着新鲜 Netflix 新增内容。尽管本月新推出的恐怖片不多,但仍有一些值得您花时间观看的著名电影。例如,您可以观看 莫文蔚黑色 尝试让 747 喷气式飞机降落 机场1979卡斯珀·范·迪恩(Casper Van Dien) 杀死巨型昆虫 保罗·韦尔霍文(Paul Verhoeven) 血腥科幻作品 星河战队.

我们期待着 珍妮弗·洛佩兹 科幻动作片阿特拉斯。但请告诉我们您要观看什么。如果我们遗漏了什么,请将其放在评论中。

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